David Bust Sculpture Value Guide

JEAN CLAUDE D'ANGELO Huge Bronze Bust Sculpture 38lb Abstract Modernist Man Art | eBay
David Bust Sculpture
Estimated Value
$100 – $250
Period
1960-1990
Origin
Italy (design), likely produced elsewhere
Materials
plaster or resin, painted patina
Category
David bust

This David Bust Sculpture is a mid-to-late 20th-century reproduction of Michelangelo’s Renaissance masterpiece, specifically designed for interior decor. These pieces became highly collectible between 1960 and 1990 as accessible ways for enthusiasts to bring classical Italian artistry into the home.

What Is David Bust Sculpture Worth?

The typical price range for David Bust Sculpture is $100 - $250 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:

  • Material composition, with solid plaster examples often fetching more than hollow resin counterparts.
  • The quality and preservation of the dark patina finish, as chips or flaking can significantly reduce the $100-$250 valuation.
  • Overall size and weight, with larger, life-sized gallery busts commanding the higher end of the price spectrum.
  • Historical provenance or evidence of production by known midcentury art suppliers or museum gift shops.

How to Identify David Bust Sculpture?

  • Examine the material for lightweight resin or heavier plaster, often finished with a dark, faux-bronze painted patina.
  • Look for casting seams along the sides of the neck or hair, which indicate a 20th-century mass-production process.
  • Verify the scale and features against Michelangelo's original 1504 proportions, though these decorative versions are often scaled for shelving.
  • Check the base for any 'Made in Italy' stamps or manufacturer labels common to the 1960-1990 era.

History of David Bust Sculpture

Bust reproductions of Michelangelo’s David became popular in the 19th and 20th centuries as decorative and educational objects. Museums, art suppliers, and mass producers produced scaled copies in plaster, resin, or metal so collectors and students could study the famous Renaissance form. Midcentury and later decorative versions were often finished with faux bronze or patina to suit interior decor.

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