Grandma Moses "Sugaring Off" Print Value Guide

Period
1940s
Origin
United States
Materials
Paper print, wood frame, glass

The 'Sugaring Off' print by Anna Mary Robertson Moses, better known as Grandma Moses, is a quintessential piece of mid-20th-century American folk art. These 1940s reproductions are highly collectible for their nostalgic portrayal of rural Vermont life and the artist's unique rise to fame in her late 70s.

What affects the value of Grandma Moses "Sugaring Off" Print?

  • Condition of the paper, specifically looking for the absence of foxing, water damage, or significant fading from UV exposure.
  • The presence of the original 1940s wood frame and glass, which adds historical integrity and value to the piece.
  • The vibrancy of the colors, as the reds and blues in the winter scene are prone to fading if not kept out of direct sunlight.
  • Provenance or original gallery labels on the reverse side that confirm its mid-century origin.

How to Identify Grandma Moses "Sugaring Off" Print?

  • Look for the distinct Grandma Moses signature style, often printed in the lower corners of the artwork.
  • Examine the paper quality for signs of 1940s age, such as natural toning or a matte finish typical of mid-century lithography.
  • Verify the scene depicts the specific 'Sugaring Off' activities, including large boiling cauldrons and horse-drawn sleds in a snowy landscape.
  • Check the original wood frame and glass, which often feature period-correct construction and backing materials from the 1940s era.

History of Grandma Moses "Sugaring Off" Print

Anna Mary Robertson Moses, known as Grandma Moses, was an American folk artist. She began painting in her late 70s and is celebrated for her charming, nostalgic depictions of rural American life. "Sugaring Off" captures the traditional practice of collecting maple sap and making syrup, a common seasonal activity in the northeastern United States. Her work gained widespread popularity in the mid-20th century, making her a beloved figure in American art.

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