Henri Matisse Portrait of a Woman Value Guide

Paul Gauguin (Handmade) Drawing mixed media on paper signed ...
Henri Matisse Portrait of a Woman
Estimated Value
$120 – $130
Period
1945
Origin
France
Materials
Charcoal, Paper

This 1945 charcoal on paper portrait is a quintessential example of Henri Matisse's late-period mastery of simplified form and rhythmic line work. Part of his renowned 'Dessins' series, the piece captures a woman in a collared shirt, showcasing the artist's shift toward expressive minimalism over anatomical precision.

What Is Henri Matisse Portrait of a Woman Worth?

The typical price range for Henri Matisse Portrait of a Woman is $120 - $130 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:

  • The current market valuation for this specific charcoal portrait ranges between $120 and $130.
  • The condition of the paper, including any yellowing or foxing, significantly impacts the final appraisal value.
  • The clarity and preservation of the charcoal lines and the 1945 dating are primary drivers of collector interest.
  • Provenance and documentation linking the piece to the 'Dessins' series can influence its desirability among Matisse enthusiasts.

How to Identify Henri Matisse Portrait of a Woman?

  • Verify the presence of the signature and date located specifically in the lower right corner of the paper.
  • Examine the charcoal strokes for Matisse's characteristic bold, fluid lines that prioritize rhythm over fine detail.
  • Confirm the subject matter aligns with his 1945 aesthetic, featuring a woman with long hair in a contemplative, relaxed pose.
  • Check for the specific paper texture and medium consistency typical of mid-1940s French charcoal drawings.

History of Henri Matisse Portrait of a Woman

Executed in 1945, this drawing reflects Henri Matisse's late-period focus on simplifying form through bold charcoal lines. During the mid-1940s, Matisse often worked with charcoal to explore the expressive potential of the human face, prioritizing the rhythm of the stroke over anatomical detail. This piece is representative of his 'Dessins' series, which frequently featured female subjects in relaxed, contemplative poses.

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