Maddocks Lamberton Works Royal Porcelain Bowl Value Guide

- Period
- 1890-1910
- Origin
- United States
- Materials
- Semi-vitreous porcelain, ironstone, glaze, cobalt pigment
- Category
- Maddocks porcelain
This Maddocks Lamberton Works Royal Porcelain bowl is a premier example of American-made flow blue produced in Trenton, New Jersey. Its collectible appeal lies in the combination of a delicate fluted body and the characteristic Victorian-era cobalt bleed on semi-vitreous ironstone.
What Is Maddocks Lamberton Works Royal Porcelain Bowl Worth?
The typical price range for Maddocks Lamberton Works Royal Porcelain Bowl is $70 - $77 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:
- The intensity and clarity of the flow blue pigment, with deep cobalt hues typically commanding higher prices.
- Overall physical condition, specifically the absence of crazing, chips, or staining in the white glaze.
- The presence of a clear, legible manufacturer's mark from the 1890-1910 production era.
- Market demand for specific floral patterns and the structural integrity of the fluted edges.
How to Identify Maddocks Lamberton Works Royal Porcelain Bowl?
- Look for the 'Royal Porcelain' backstamp accompanied by the Maddocks Lamberton Works name or logo on the base.
- Examine the cobalt blue floral pattern for the intentional 'flow' or blurred edges typical of late 19th-century transferware.
- Identify the specific fluted texture of the bowl's body, which distinguishes it from flat-sided ironstone pieces.
- Verify the semi-vitreous porcelain material, which has a heavier, more durable feel than fine bone china.
History of Maddocks Lamberton Works Royal Porcelain Bowl
The Maddocks Lamberton Works, based in Trenton, New Jersey, was a prominent American pottery founded in the late 19th century. They were renowned for producing 'Royal Porcelain' and high-quality semi-vitreous ironstone, often utilizing transferware techniques popularized by British potters. Their flow blue patterns, characterized by a deliberate bleeding of the blue pigment into the white glaze, remain highly collectible among enthusiasts of Victorian-era ceramics.
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