Raphael Soyer Lithograph Value Guide

JEAN ANTOINE WATTEAU "THREE NEGRO BOYS" LITHOGRAPH BY PENN ...
Raphael Soyer Lithograph
Estimated Value
$300 – $330
Period
1940-1960
Origin
United States
Materials
Paper, ink, wood frame, glass

This mid-20th century lithograph exemplifies Raphael Soyer's Social Realist style, capturing the quiet introspection of New York City's working class. The composition, featuring a central boy surrounded by mothers and children, highlights Soyer's signature empathy and draftsmanship-heavy approach.

What Is Raphael Soyer Lithograph Worth?

The typical price range for Raphael Soyer Lithograph is $300 - $330 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:

  • The physical condition of the paper, specifically the absence of foxing, yellowing, or water damage, significantly impacts the $300-$330 valuation.
  • The clarity and boldness of the pencil signature compared to the printed ink affects market desirability.
  • The quality and preservation of the original wood frame and glass, ensuring the lithograph has been protected from UV exposure.
  • The rarity of this specific multi-subject composition compared to Soyer's more common single-subject portraits.

How to Identify Raphael Soyer Lithograph?

  • Verify the presence of a hand-signed pencil signature by Raphael Soyer, typically located in the lower right margin.
  • Examine the paper for mid-century texture and weight consistent with 1940-1960 American printmaking standards.
  • Look for the characteristic soft, sketch-like quality in the peripheral figures of mothers and children that defines Soyer's draftsmanship.
  • Check for any publisher blindstamps or gallery labels on the reverse of the wood frame that confirm its provenance.

History of Raphael Soyer Lithograph

Raphael Soyer was a prominent American Social Realist painter and printmaker born in Russia. Along with his brothers Isaac and Moses, he documented the lives of people in New York City during the mid-20th century. His work is characterized by a deep empathy for his subjects, often capturing moments of introspection and daily life with a soft, draftsmanship-heavy style that prioritized the human condition over abstraction.

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