St. Anthony of Padua Stained Glass Window Value Guide
- Period
- 1900-1930
- Origin
- United States
- Materials
- Glass, lead, vitreous paint, steel frame
- Category
- Stained glass window
This arched stained glass window from the early 20th century captures the American Gothic Revival movement, depicting St. Anthony of Padua with the Christ Child and a lily. It is a significant collectible because it represents the cultural efforts of North American immigrant communities to replicate European cathedral artistry using traditional vitreous paint and leaded cames.
What affects the value of St. Anthony of Padua Stained Glass Window?
- The physical condition of the glass panels and the integrity of the original lead cames.
- The quality of the hand-painted details, particularly on the faces of St. Anthony and the Christ Child.
- Provenance linking the piece to a specific North American Catholic church from the Gothic Revival period.
- The preservation of the original steel frame which supports the structural weight of the glass.
How to Identify St. Anthony of Padua Stained Glass Window?
- Verify the presence of vitreous paint used for facial details and robes, which was kiln-fired for durability.
- Examine the lead cames and steel frame for signs of early 20th-century American craftsmanship.
- Look for the specific hagiographical iconography of the infant Jesus and a lily, consistent with 13th-century visions of St. Anthony.
- Check for the arched top silhouette characteristic of ecclesiastical installations from the 1900-1930 era.
History of St. Anthony of Padua Stained Glass Window
St. Anthony of Padua is often depicted in stained glass holding the infant Jesus, a tradition rooted in a 13th-century vision. Stained glass windows like this became highly popular in North American Catholic churches during the late 19th and early 20th centuries as immigrant communities sought to replicate the ornate European cathedrals of their homelands. This specific style reflects the American Gothic Revival movement, utilizing leaded cames and painted glass to tell hagiographical stories to the faithful.
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