Sunday Morning in Sleepy Hollow Print Value Guide

Period
1880-1900
Origin
United States
Materials
Paper, ink, glass, wood, mat board

This late 19th-century colored etching captures a romanticized vision of American colonial life, based on the original oil painting by Jennie Augusta Brownscombe. It is highly collectible as a piece of Washington Irving-inspired Americana, depicting a peaceful congregation journeying toward the historic Old Dutch Church in Sleepy Hollow.

What affects the value of Sunday Morning in Sleepy Hollow Print?

  • The physical condition of the paper, specifically the absence of foxing, water damage, or significant fading of the colored inks.
  • The presence of the original late 19th-century wood frame and matting, which preserves the historical integrity of the piece.
  • The clarity and crispness of the etching lines, which can vary depending on the specific printing run and plate wear.
  • Market demand for Jennie Brownscombe's historical genre scenes and Washington Irving-related literary collectibles.

How to Identify Sunday Morning in Sleepy Hollow Print?

  • Verify the artist signatures, typically featuring James S. King as the etcher and Jennie Augusta Brownscombe as the original painter.
  • Examine the paper for signs of late 19th-century production (1880-1900), such as natural aging or specific plate marks from the etching process.
  • Look for the distinct architectural details of the Old Dutch Church and the specific colonial-style attire of the figures in the congregation.
  • Check for the presence of original period framing materials, including antique wood and glass, which often accompany authentic examples.

History of Sunday Morning in Sleepy Hollow Print

Created in the late 19th century, this scene was inspired by Washington Irving's literary works. Jennie Brownscombe, a prominent female artist of the era, was famous for her historical genre paintings that romanticized American colonial life. This particular scene depicts a peaceful congregation walking to the Old Dutch Church in Sleepy Hollow, New York. The subsequent etching by James S. King allowed the work to reach a wide audience in American homes.

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