The Three Graces Sculpture Value Guide

Signed Italian Hand Crafted Alabaster Statue "Three Grace ...
Estimated Value
$450 – $500
Period
1900-1920
Origin
Italy
Materials
Alabaster
Category
Sculpture

This early 20th-century Italian alabaster sculpture depicts Euphrosyne, Aglaia, and Thalia, the three daughters of Zeus. It serves as a refined Grand Tour souvenir, reproducing Antonio Canova's 1817 Neoclassical masterpiece originally commissioned by Josephine de Beauharnais.

What Is The Three Graces Sculpture Worth?

The typical price range for The Three Graces Sculpture is $450 - $500 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:

  • Overall condition of the alabaster, as the stone is soft and prone to chips, scratches, or staining over time.
  • The quality of the carving, specifically the facial features and the delicate interlocking arms of the three sisters.
  • Size and scale of the piece, with larger, more substantial table-top versions commanding the full $450-$500 market value.
  • Presence of a original patina or 'honeying' of the stone, which collectors often prefer over chemically bleached examples.

How to Identify The Three Graces Sculpture?

  • Verify the material is genuine Italian alabaster, which should feel cool to the touch and exhibit a slight translucency when held to light.
  • Examine the base for 'Italy' or 'Made in Italy' stamps, common for export pieces produced between 1900 and 1920.
  • Check for the specific Neoclassical arrangement of the three figures embracing, modeled directly after Canova's Roman Charities composition.
  • Look for fine hand-carved details in the hair and drapery, distinguishing it from later, lower-quality resin or composite reproductions.

History of The Three Graces Sculpture

This piece is a reproduction of the famous Neoclassical marble sculpture by Antonio Canova, commissioned by Josephine de Beauharnais and later the Duke of Bedford. Completed in 1817, the original masterpiece captured the Roman Charities and became a symbol of Victorian era elegance. Small-scale alabaster versions like this were popular Grand Tour souvenirs for travelers visiting Italy in the late 19th and early 20th centuries.

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