The Victrola Book of the Opera Value Guide

1919 Antique Music History Book "The Victrola Book of the ...
The Victrola Book of the Opera
Estimated Value
$25 – $27
Period
1917-1919
Origin
United States
Materials
Paper, cloth, cardboard, ink
Category
Victrola

The Victrola Book of the Opera, specifically the editions from 1917-1919, represents a marketing masterstroke by the Victor Talking Machine Company to drive phonograph record sales. Written by Samuel Holland Rous, these hardcover volumes are highly collectible for their rich illustrations and their historical role in bringing operatic culture into the American home.

What Is The Victrola Book of the Opera Worth?

The typical price range for The Victrola Book of the Opera is $25 - $27 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:

  • The condition of the cloth binding, specifically looking for minimal fraying at the spine and corners.
  • The presence of the original dust jacket, which is rare for editions from 1917-1919 and significantly increases value.
  • Internal cleanliness, including the absence of foxing, ink inscriptions, or torn pages.
  • The specific edition number, as earlier printings within the 1917-1919 window can be more desirable to bibliophiles.

How to Identify The Victrola Book of the Opera?

  • Verify the publisher is listed as the Victor Talking Machine Company, Camden, New Jersey.
  • Check the copyright page for dates between 1917 and 1919 to confirm the specific era.
  • Look for the distinctive cloth-bound hardcover featuring the iconic 'His Master's Voice' dog logo or ornate gold lettering.
  • Confirm the presence of numerous black-and-white illustrations and photographs of contemporary opera stars.

History of The Victrola Book of the Opera

First published in 1912, this book was a marketing masterstroke by the Victor Talking Machine Company. It was designed to encourage owners of Victrola phonographs to purchase more opera records by providing the backstories and visual contexts of the performances. Written by Samuel Holland Rous, it became one of the most widely circulated books on opera in history, going through numerous editions over several decades.

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