La Maja Desnuda Painting Value Guide

- Period
- 1797-1800
- Origin
- Spain
- Materials
- Oil on canvas, gold-finished wood frame
- Category
- Art prints
La Maja Desnuda is a revolutionary Spanish masterpiece by Francisco Goya, famously known as one of the first Western paintings to depict a nude woman without mythological context. This specific oil on canvas reproduction, housed in a gold-finished wooden frame, captures the daring spirit that once provoked the Spanish Inquisition.
What Is La Maja Desnuda Painting Worth?
The typical price range for La Maja Desnuda Painting is $1,800 - $2,000 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:
- The condition of the gold-finished wooden frame and the preservation of the oil pigments.
- Historical provenance linking the piece to its Spanish origins and the controversial 1797-1800 production period.
- The market demand for Goya's most scandalous works, particularly those involving the 'Maja' series.
- Authenticity of the materials used, specifically the quality of the canvas and the application of the oil paint.
How to Identify La Maja Desnuda Painting?
- Verify the oil on canvas medium and the specific gold-finished wooden frame construction consistent with period-style reproductions.
- Look for the direct, unidealized gaze of the subject, which distinguishes Goya's work from traditional allegorical nudes.
- Check for the characteristic 1797-1800 era stylistic markers and Spanish origin details on the reverse of the canvas.
- Examine the brushwork for the specific realism used to depict the 'Maja,' potentially modeled after the Duchess of Alba or Pepita Tudó.
History of La Maja Desnuda Painting
La Maja Desnuda is one of Goya's most famous and controversial works, painted between 1797 and 1800. It is renowned for being one of the earliest Western artworks to depict a fully nude woman without allegorical or mythological pretense, presenting her in a direct, unidealized manner. The identity of the 'Maja' is debated, with some believing her to be María Teresa de Silva, Duchess of Alba, or Pepita Tudó, mistress of Manuel Godoy. This painting, along with its clothed counterpart, 'La Maja Vestida', caused considerable scandal and was investigated by the Spanish Inquisition, highlighting Goya's daring artistic vision and his challenge to societal norms.
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