Stroh Violin Value Guide

Seven: The Days Long Gone - recording session - Stroh Violin ...
Estimated Value
$1,800 – $2,000
Period
1900-1925
Origin
United Kingdom
Materials
Wood, brass, aluminum, steel

The Stroh Violin is a fascinating mechanical instrument invented by Johannes Matthias Augustus Stroh in 1899 to solve the volume limitations of early acoustic recording. By replacing the traditional wooden body with a metal resonator and a directional horn, it became an essential tool for the London recording industry and outdoor pit orchestras before electronic amplification.

What Is Stroh Violin Worth?

The typical price range for Stroh Violin is $1,800 - $2,000 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:

  • Condition of the aluminum diaphragm, as dents or corrosion significantly impact the sound quality and value.
  • Completeness of the original brass or aluminum horns, as replacements are difficult to source.
  • The presence of original markings or serial numbers indicating its manufacture in London between 1900 and 1925.
  • Overall playability and the structural integrity of the wooden 'body' frame that supports the mechanical components.

How to Identify Stroh Violin?

  • Look for the distinctive aluminum diaphragm and metal resonator assembly attached to the wooden neck.
  • Check for the presence of two horns: a large conical brass horn for main projection and a smaller monitor horn for the player.
  • Verify the 'Stroh's Patent' stamp or plate, which is typically found on the wooden frame or metal components.
  • Examine the bridge, which is uniquely designed to pivot and transfer vibrations directly to the diaphragm rather than a soundboard.

History of Stroh Violin

Invented by Johannes Matthias Augustus Stroh in London in 1899, this instrument was specifically designed for the early recording industry. Traditional violins were too quiet for acoustic recording diaphragms, so the Stroh used a conical horn to project sound directly toward the recording horn. They were also popular in pit orchestras and outdoor venues before the advent of electronic amplification.

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