The Arming and Departure of the Knights Tapestry Value Guide

Period
1990-2010
Origin
Belgium
Materials
Cotton, polyester, viscose
Category
Tapestry

This Belgian Jacquard-woven wall tapestry is a faithful reproduction of the iconic Holy Grail series originally designed by Sir Edward Burne-Jones and William Morris in the 1890s. It is highly collectible for its representation of the Arts and Crafts movement, capturing the intricate medieval-revival aesthetics of the Knights of the Round Table.

What affects the value of The Arming and Departure of the Knights Tapestry?

  • The physical dimensions of the tapestry, with larger wall-hanging sizes commanding the full $1,210 valuation.
  • Overall condition, specifically the absence of sun-fading or pulling in the cotton and viscose threads.
  • The presence of original hanging hardware or high-quality integrated rod pockets.
  • Clarity of the narrative scene, ensuring the intricate details of the knights' armor and floral motifs remain sharp.

How to Identify The Arming and Departure of the Knights Tapestry?

  • Verify the Belgian origin label, typically found on the reverse side of the Jacquard weave.
  • Check for the specific material blend of cotton, polyester, and viscose which characterizes these 1990-2010 reproductions.
  • Look for the distinct Morris & Co. stylistic hallmarks, including dense floral backgrounds and Pre-Raphaelite figure proportions.
  • Inspect the weave density to ensure it is a genuine Jacquard loom product rather than a printed fabric.

History of The Arming and Departure of the Knights Tapestry

This design is based on the famous Holy Grail tapestries originally designed by Sir Edward Burne-Jones and William Morris for Morris & Co. in the 1890s. The series illustrates the quest of the Knights of the Round Table and is considered a masterpiece of the Arts and Crafts movement. Modern Belgian reproductions like this one use the Jacquard loom technique to capture the intricate medieval-revival details of the original hand-woven wool pieces.

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