Wassily Kandinsky Swinging Value Guide

Wassily Kandinsky's 'Swinging' (Schaukeln), painted in 1925, stands as a cornerstone of his influential Bauhaus period in Germany. This oil on cardboard work is highly collectible because it represents the pinnacle of his psychological exploration into geometric abstraction and the spiritual resonance of color.

What Is Wassily Kandinsky Swinging Worth?

The typical price range for Wassily Kandinsky Swinging is $25,000,000 - $30,000,000 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:

• Historical significance as a primary example of Kandinsky's transition into pure geometric abstraction during his tenure at the Bauhaus.
• The physical condition of the cardboard support, which is more fragile than traditional canvas and impacts market value.
• Documented exhibition history and inclusion in major art theorist publications regarding the pioneer of abstract art.
• The current market demand for high-tier abstract masterpieces, currently estimated between $25 million and $30 million.

How to Identify Wassily Kandinsky Swinging?

• Verify the medium as oil paint applied specifically to a cardboard substrate, a characteristic choice for this 1925 work.
• Look for the signature dynamic composition of geometric shapes that define Kandinsky's mid-1920s non-objective style.
• Confirm the provenance linking the piece to the German Bauhaus era and Kandinsky's documented 1925 catalog.
• Examine the specific vibrant color palette which aligns with Kandinsky's theoretical writings on the emotional power of primary and secondary hues.

History of Wassily Kandinsky Swinging

Wassily Kandinsky was a highly influential Russian artist and art theorist, often credited as one of the pioneers of abstract art. 'Swinging' (Schaukeln), painted in 1925, is a significant work from his Bauhaus period, reflecting his ongoing exploration of color, form, and spiritual expression through non-objective art. During this time, Kandinsky developed his theories on the psychological effects of color and the emotional power of geometric abstraction, aiming to create art that resonated deeply with the viewer's inner self.