Wassily Kandinsky Improvisation 35 Value Guide

- Period
- 1914
- Origin
- Russia
- Materials
- Oil on canvas
- Category
- Kandinsky print
Wassily Kandinsky's Improvisation 35, created in 1914, represents a pivotal moment in art history as the Russian master transitioned into complete abstraction. This oil on canvas is a cornerstone of his 'Improvisation' series, where he pioneered the use of non-representational forms to express spiritual concepts and inner emotions.
What Is Wassily Kandinsky Improvisation 35 Worth?
The typical price range for Wassily Kandinsky Improvisation 35 is $20,000,000 - $30,000,000 based on recent sales. However, values can vary depending on the item's condition, rarity, and other factors such as:
- The 1914 creation date is highly significant as it marks the artist's peak transition into pure abstraction.
- The rarity of pieces from the 'Improvisation' series significantly drives the $20M-$30M valuation.
- The physical condition of the oil pigments and the integrity of the original canvas.
- Historical importance as one of the first purely abstract works in the Western art canon.
How to Identify Wassily Kandinsky Improvisation 35?
- Look for the signature dynamic forms and vibrant color palette characteristic of Kandinsky's pre-war 1914 period.
- Verify the oil on canvas medium and the specific dimensions associated with the Improvisation series.
- Examine the work for the absence of figurative elements, marking his shift toward purely expressive lines and shapes.
- Check for documented provenance linking the piece to Kandinsky's Russian origins and early 20th-century exhibitions.
History of Wassily Kandinsky Improvisation 35
Wassily Kandinsky was a Russian artist credited with painting one of the first purely abstract works. Improvisation 35, created in 1914, is a prime example of his 'Improvisation' series, where he sought to express inner feelings and spiritual concepts through spontaneous, non-representational forms. This piece reflects his transition into complete abstraction, moving away from figurative elements to focus on color and line as independent expressive tools.
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